DOOMSDAYWith Threats of Nuclear War and Climate Disaster Growing, America’s “Bunker Fantasy” Is Woefully Inadequate
Faced with a Congress unwilling to fund large-scale sheltering measures — although in Europe and elsewhere, vast public shelters were built, the community bomb shelter was almost universally rejected in the U.S. as communistic — the Kennedy administration decided instead to encourage the private development of the individual shelter industry and to establish dedicated spaces within existing public structures.
At the end of the Academy Award-nominated film “Don’t Look Up,” with a meteor hurtling toward Earth, the movie’s three scientist-protagonists gather with family and friends for a last supper around a dinner table in central Michigan.
Having exhausted their efforts at action, they eat the food they’ve prepared and purchased, give thanks and pray before “dying neighborly” – to borrow a phrase coined by poet and writer Langston Hughes in 1965.
“Dying neighborly” was something of a common refrain in the small number of stories told by those writers and artists in the 1960s and 1980s who recognized the dangers of nuclear war but were unwilling or unable to accept the only measure recommended by the government: to buy or build your own shelter and pretend that you’d survive.
These stories didn’t get as much attention or acclaim as “Don’t Look Up.” But they continue to influence how the climate emergency or nuclear war is depicted in books and films today.
Shelter or Die?
Faced with a Congress unwilling to fund large-scale sheltering measures, the Kennedy administration decided instead to encourage the private development of the individual shelter industry and to establish dedicated spaces within existing public structures.
Although in Europe and elsewhere, vast public shelters were built, the community bomb shelter was almost universally rejected in the U.S. as communistic. As a result, sheltering was available primarily to the military, government officials and those who could afford it. The practicality and the morality of private shelters were debated publicly. The morality or survivability of nuclear war itself seldom was.
Hughes’s phrase comes from “Bomb Shelters,” one of his “Simple Stories.” These were brief and humorous vignettes of the serious issues faced by Jess and Joyce Semple, a fictional working-class Black couple living in Harlem. In this story, Jess vainly tries to adapt the government’s basement and backyard bomb shelter initiative to his cramped urban neighborhood.
With so many people living in every rooming house, “Even if the law required it, how could landlords build enough shelters for every roomer?” he wonders. “And if roomers built their own shelters – me and Joyce living in a kitchenette, for instance. … How would we keep the other roomers out in case of a raid?”