Mass murderIs mass murder becoming a form of protest?

By Lisa Wade

Published 17 January 2017

If there’s one thing Americans can agree upon, it might be that people – no matter how angry they are – shouldn’t be indiscriminately firing guns into crowds. Yet mass shootings are on the rise, with the shooting at the Fort Lauderdale airport just the latest example. I’m fearful that what we’re seeing isn’t just an increase in violence, but the normalization of a habit, a new behavior recognized as a way to express an objection to the way things are. That is, I’m afraid that mass murder may be becoming – to the horror of almost all of us, but to the liking of a violent few – a form of protest. The terrifying part is that once protest tools become part of the repertoire, they are diffused across movements and throughout society. Perhaps that’s why we see such a range of motivations among these mass murderers. It has become an obvious way to express an objection, and the discontented know they can get their point across.

If there’s one thing Americans can agree upon, it might be that people – no matter how angry they are – shouldn’t be indiscriminately firing guns into crowds. Yet mass shootings are on the rise, with the shooting at the Fort Lauderdale airport just the latest example.

I’m fearful that what we’re seeing isn’t just an increase in violence but the normalization of a habit, a new behavior recognized as a way to express an objection to the way things are. That is, I’m afraid that mass murder may be becoming – to the horror of almost all of us, but to the liking of a violent few – a form of protest.

The evolution of protest
To register an objection to something about the world, a person or group needs to engage in an action that other people recognize as a form of protest.

In other words, we know what protest looks like.

It’s a strike, a rally, a march, a sit-in, a boycott. These are all recognizable ways in which individuals and groups can stake a political claim, whereas other group activities – a picnic, a group bike ride, singing together – are not obviously so. To describe this set of protest-related tools, the sociologist Charles Tilly coined the phrase “repertoire of contention.” Activists have a stock of actions to draw from when they want to make a statement that others will understand.

A culture’s repertoire of contention constantly evolves. Each tool has to be invented – and conceptually linked to the idea of protest – before it can play that role. The sit-in, for example, was invented during the early civil rights movement. When African-American activists and their allies occupied white-only restaurants, bringing lunch counters to a halt to bring attention to the exclusion of black people, they introduced a new way of objecting to the status quo, one that almost anyone would recognize today.

New ways of protesting are being invented every day: The hashtag, the hacktivist and shutting down freeways are newer forms. Some become permanent parts of the repertoire. Consider the graph put together by sociologist Michael Biggs, which shows how suicide as a form of protest caught on in the 1960s.